films, films,
the best resemble
great books
that are difficult to penetrate
because of their richness and depth.

the cinema isn't easy
because life is complicated
and art indefinable.
making life indefinable
and art
complicated.

-manoel de oliveira
"cinematographic poem," 1986


Mystery Train, 1989

Runtime: 110
Director: Jim Jarmush
Cast: Masatoshi Nagase, Youki Kudoh
Mystery Train, 1989



Mystery Train

Shot “in bright, primary colors, [...] Mystery Train is thoroughly satisfying, a delight [...]. The setting is Memphis, and the connecting link among three separate, slightly overlapping stories is a sleazy hotel and the sound of a gunshot. One story is about a terribly hip Japanese teenage couple who have come to Memphis to worship at the Elvis Presley shrine at Graceland and at Sun Studios, where their idols recorded their immortal rock-and-roll and blues. The second is about a pretty, youngish Italian widow who is forced to spend a night in Memphis while accompanying her husband's corpse back to Rome. The third, which brings everything together, involves a drunk young English working-class fellow, his mild-mannered brother-in-law (a Memphis barber) and their hip black pal who tries to keep them out of trouble, unsuccessfully. The curious thing about this Jarmusch film is that although he is not considered to be strong on plots, the narrative line of Mystery Train is both brilliantly funny and subtle [...]. He also has a knack for the oddball detail [...]: "When he died, Elvis Presley would have weighed 648 pounds on Jupiter." -- Vincent Canby, The New York Times