films, films,
the best resemble
great books
that are difficult to penetrate
because of their richness and depth.

the cinema isn't easy
because life is complicated
and art indefinable.
making life indefinable
and art
complicated.

-manoel de oliveira
"cinematographic poem," 1986


PART I: French New Wave (1958-62) - Les Quatre cents coups/The 400 Blows, 1959

Runtime: 99
Director: François Truffaut
Cast: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble
the 400 blows, 1960



Les Quatre cents coups/ The 400 Blows (Francois Truffaut, 1959) This is the first film of the French New Wave doing away with an obsolete French cinema that was oriented on commercial success only. Truffaut fully realizes a cinema that, as Godard put it, showed “girls as we love them, boys as we see them every day, parents as we despise or admire them, children as they astonish us or leave us indifferent; in other words, things as they are.” In this manner and inspired by his own biography, Truffaut tells the simple story of an adolescent (Jean-Pierre Léod) growing up in a hostile social environment, in which neither his parents nor his teachers at school are able or willing to make an effort to understand him. -Heiko Stang